And was translated in German (and forthcoming in Japanese, Dutch, Spanish, and Korean).
And a chapbook (with Sarah Jaffe) was published.
And I wrote.
on the kink factory that tech built (Dissent)
interviewing Evangelical anti-abortion activists now targeting sex workers (Salon)
profiling the fight of trans activist Monica Jones (RH Reality Check)
on what the “sex work debate” isn’t (melissagiragrant.com)
about spying, sex, and online finance (Salon)
on American cities and invisible vice (The Atlantic’s CityLab)
demolishing sex slave fantasies (The New York Times)
how sex workers are winning (The Atlantic’s CityLab)
on sluts and value (Al Jazeera America)
breaking down the cost of my book (Scratch)
tl;dr feminism (melissagiragrant.com)
no justice in “trafficking court” (New York Daily News)
on how every camera can be a police camera (VICE)
I spoke to (many) other journalists.
A notable assortment of interviews:
A few notable for their trouble:
The Observer (who never fact-checked my sex work history before printing it anyway)
Channel 4 (this presenter seemed to forget there was another guest there for me to debate, so consumed with debating me herself)
The Telegraph (who also concocted a sex work history for me & called me “scary” in a first version, now scrubbed from their website)
Playing the Whore got reviews.
“Underneath Grant’s strategically inclusive argument lurks a harder political critique of the transformation of politics and economics since the 1970s.” London Review of Books
“Grant is one of the most interesting policy thinkers in the country when it comes to sex work.” Washington Post’s Wonkblog
“…Grant, I think rightly so, is less interested in eliciting from her reader a position on sex work than a position on police violence against sex workers.” The Rumpus
“sharp, persuasive and comes at a time when it is sorely needed” Rabble
and one of Autostraddle’s Top Ten Queer and Feminist books of 2014
and one of Baltimore City Paper’s top ten non-fiction books of 2014: “Think of this tightly written and impressively argued treatise as both a state of the sex work activism now and a complete redefining of the discussion. An absolutely vital read.”
and was named one the Village Voice’s favorite books of 2014: “Keeping the focus on ideas instead of autobiography has an impressively unsettling effect, as we’re forced to acknowledge the writer’s boundaries, and our own voyeurism.”
imagining the end of the American red light district (Berkman Center, Harvard University)
about online abuser dynamics (Eyebeam)
on digital labor and sex work (twice: The New School; Theorizing the Web)
and about Playing the Whore, in book shops, bars, theatres, and festivals
For myself – not very much at all, aside from a few days on a beach warmer than Coney Island is right now, health insurance, more time for more celebration on more friend’s floors, and some deep quiet for the sake of the next thing.